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During the course of a career that lasted more than 50 years,
the late Kenneth (Jethro) Burns was given many nicknames and
accolades. Mandolin players called him “The Legend,” “The
Great One,” “Mr. Mandolin,” and “The World’s Greatest Mandolin
Player.” For 39 of those 50 years Burns performed with Henry
Haynes as the musical comedy duo known worldwide as Homer and
Jethro. Their collaboration yielded 35 albums, a Grammy Award,
regular appearances on national radio and TV shows (Johnny
Carson, Dean Martin, Jimmy Dean), and a series of outrageously
successful, and just plain outrageous, commercials for
Kellogg’s Corn Flakes.
Most
of their comedy songs were Jethro’s parodies of hit pop and
country tunes. Their brilliance as comedians threatened to
overshadow their virtuosic musicianship, although two
instrumental albums displayed their pioneering string jazz
sound.
Born
in rural northern Georgia on March 10, 1920, Jethro and his
folks moved to Knoxville, Tennessee, when he was just 3. His
brothers all played music and they got plenty of support and
understanding from their father, who worked on the
medicine-show circuit as a tap dancer and comedian. It was
from his father that he got a firsthand view of music and
comedy together, and Jethro later credited him, saying,
“Because of him I always had a good understanding of exactly
what I was doing as an entertainer.”
In
later years Jethro appeared regularly on the television
program “Hee Haw,” played with his brother-in-law Chet Atkins
in The Million Dollar Band, and returned to his live-radio
roots on A Prairie Home Companion. He also wrote a regular
monthly column for the publication Mandolin World News, and
performed club dates with his Jethro Burns Quartet, a two
mandolins, guitar, and bass combination with a heavy emphasis
on The Master’s swinging style.
As
anyone who ever saw Jethro perform will attest, he had a very
good understanding indeed. His wacky, cornball humor was
always note perfect, and his mandolin playing was as
entertaining as it was soulful. As Steve Goodman once said, “I
never heard him play or say anything that wasn’t the very
thing that everyone else in the room wished they had played or
said.” How did he do it? His special skill was to mix equal
parts mischief and genius, while keeping his tongue firmly in
cheek at all times. And a large part of his appeal can be
summed up in his philosophy of “No matter where you go, there
you are!”
Jethro’s humor, mandolin playing, and
musicianship remained undiminished, even in the final stages
of the cancer that took his life February 4, 1989.
Courtesy of Artist Direct
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